We walked into his bedroom and there is a cat just idly licking his nuts on the pillow as the tour guide is reeling off stories. Fenced off to humans but of course cats have the run of the place. His carriage house for example where he wrote half his canon. They have their own vet visits once a week, their own cat fountains, gluten free cat kibble, personal trainers, the lot.Ĭertain parts of the house are cordoned off to tourists. So they are all descendants from Snow White which was Hemingway’s Cat. ![]() The Hemingway House has 40-50 cats, half of them have 6 toes but all of them have the polydactyl gene. It’s an awesome place to visit and you can see pictures and learn more about it on a previous post. Kilifer gets hoist by his own petard in the end with the money as it’s the money that knocks him in the shark pool. Then Bond tough talks him after killing him on the train. A throwback to what Robert Shaw did with Bond, calling him Old Man. “You keep it, old buddy.” The old buddy line I like. If Orlebar Brown does a villains line then you could cash in on some Krest. I also like some of the retro gear that Krest wears. Krest has that lazy eye, compounds his shiftiness. “I’m on to you, you shifty bastard,” Bond thinks. Nicely weaved in.īond sees Leighter’s Boutonniere on the floor. Maybe the Darius/Della gangbang honeymoon? Bond finds Felix with the note, ‘he disagrees with something that ate him’. If it was 18 then it would have been a more brutal watch. Licence to Kill protrudes a bit the lack of style on Dalton, the rogue mission etc. Daylights had more Bondian things going on. Because it sits on its own enough this film. But an 18 version of this film could have really upped the ante. I think it does pull its punches and it had to get a 15 certificate. I actually would rather this film be an 18. “Jaws was out in the seventies.” Davi exclaims on the DVD extras. Robert Davi loved the scene and took issue with the over-sensitivity of the test audience that ultimately got the scene cut down drastically. David Hedison said his wife hated that scene. It’s quite a savage scene and apparently they had to cut out a lot of footage. Even if I’m dying peacefully in my sleep surrounded by my loved ones. “ SEE you in Hell.” I’d like to say that on my deathbed. Mission Impossible: Fallout riffs this scene when Hunt has to break out Solomon Lane by ramming the police truck into the River Seine. Fact from the net They were going to make a sequel to True Lies but then 911 happened and James Cameron went off the idea of terrorism in movies. They use a remote control van to plunge into the water. The Seven Mile Bridge gets utilised here. Alan had over 10 hours of footage from the shoot, stashed away in his attic. Here on the right is St Mary’s Basilica used in the film Licence to Kill, I nearly a shoulder roll off that coach to get the photo.Īt the recent 30th year anniversary showing we caught a presentation by Alan Church who worked as Maurice Binder’s right hand man, on what was to be his last pre-titles sequence for a Bond film. ![]() The lady doing the commentary on the hop-on, hop-off tour in Key West pointed it out. The stunt guys do their job, the Key West governor has to power down electricity in the area in case they fly into the telephone wires. Which is a great name for Bond’s first gay lover by the way. The parachute guys, coordinated by a guy called BJ Worth. ![]() Please bare in mind these are just my thoughts and rough notes, not intended to construed as a written thesis on the subject of Licence to Kill.Īccording to an article on the Mi6 website, the recently passed David Hedison (Felix Leighter) blew his knees out jumping into shot at the church. I made some notes and wrote them down, I thought I’d publish them here.
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